My work explores how we see and experience ourselves, and how this is shaped by images, memory, and the body. I am interested in what is visible and what remains hidden, and how meaning can emerge through material, process, and transformation.

I began my career within the world of fashion photography, where images are carefully constructed and controlled. Today, I approach the image differently—often disrupting or obscuring it—to question ideas of beauty, identity, and the gaze. I am interested in shifting the body from something that is looked at to something that holds presence and agency.

Material plays an essential role in my practice. I work with raw fabrics, plant-based dyes, and natural elements that carry traces of time and place. Through processes such as staining, binding, and layering, the work develops slowly and remains open to change. These materials are not fixed; they respond, age, and transform.

My installations often suggest quiet, ritual-like spaces. I think of them as environments that invite a more intuitive and embodied way of seeing. Rather than telling a clear story, I aim to create a space where viewers can pause, reflect, and connect to something less immediate and more internal.